Maybe that is Joey Deadcat's problem with the word 'goth' as it is defined by many people today. Alot of the futurepop stuff they play at the goth clubs really isn't all that dark. You really can't deny that the music they play at the clubs now is anything like what a goth club would have played in the 1980's. It's not that the scene has evolved because the dance music now is almost completely unrelated to "goth" music of the past. I don't think he is saying one thing is better than the other, I think he is just saying the music today is not goth. He is pretty much right. However, other than the kids at city club, no one calls that stuff goth. The artist don't. The people who go out and buy all the CD's don't.
I don't really have a problem with what he is saying because he's technicly right. Goth is not a state of mind, goth is not enjoying the dark things in life. Goth is a movement that grew out of the punk movement, started in the Uk by bands such as Siouxsie and the Banshees. Joey Deadcat is hardly the only one to have this viewpoint, not only has this been debated here on DGN, most people around in the 1980's have a disdain for what they see as the mislabeling of "goth".
From wikipedia:
"Gothic rock was originally clearly differentiated from industrial and heavy metal by older participants in the alternative scene, but newcomers and media misconceptions blurred the boundaries in the nineties as gothic rock became significantly less popular in the US and UK. Thus while Industrial metal-influenced or heavy metal bands such as Marilyn Manson, Jack Off Jill, Type O Negative, Lacuna Coil, Dimmu Borgir, Cradle of Filth and Slipknot were often labeled as "goth" by the media, this categorization was strongly resisted by longstanding goths. Even more confusion was added with the rise of gothic metal, with such bands consciously using gothic imagery from the dark ages in their own music and appearance and started even following fashion trends indistinguishable from older goth ones. Arguments about which music is and is not goth became an ever more significant part of how the subculture tried to define itself.
The other significant development of the nineties was the popularity of electronic dance bands such as VNV Nation and Covenant in the goth scene. The rise of what has been called cybergoth music and style, which has much in common with techno/synthpop, caused bitter divisions between its fans and those firmly attached to the analog and/or guitar based sound of gothic rock. Bands with a darkwave sound or those such as The Crüxshadows, which combine an electronic and gothic rock sound, appeal to both sides to some extent."