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"Gothic stereotypes"


jynxxxedangel

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Good find jynxxxy. I think I'd be a cross between these two:

4. The Fetish Goth

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Kinkyness has been a part of the Goth movement from the beginning since the first Goth musicians like Bauhaus started wearing chains, leather, fishnet and strappy bondage gear on stage. Today the image (and lifestyle) remains popular, with modern Fetish Goths having an even wider range of sexy bondage-related clothes available to choose from. Tattoos, piercings and other forms of body modification are also popular among this type. And they quite possibly all have a set of handcuffs, mask/gag and some sort of spanking implement in their bedside table.

Pretty much every Goth band has written a song about kinky sex at some point, so there’s no real preferential genre associated with Fetish Goths, although 80s New Wave (eg. Depeche Mode) and Industrial (eg. Throbbing Gristle) tend to be more fetishy than most.

As one might expect, the stereotypical Fetish Goth has tried everything at least once everywhere and in every position, with every gender. Or at least that’s what they’ll tell you.

and

18. The Geek Goth

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Essentially, all Goths are Geeks. After all, how can one devote so much time into dressing up, reading old literature and collecting obscure music without being somewhat Geeky? You will hence find typical Geek traits in all Goths, but some will be more Geeky than others.

The typical Geek Goth tends to place less emphasis on Goth as a fashion, and more on its overtones of dark fantasy. So while they may not look as spectacularly Gothic as other Goth Types, their knowledge of the symbolism and artistic influences behind Goth is very often superior. They are more inclined than most to indulge in role play, read sci-fi, fantasy and horror novels, and watch cult TV shows and films with Gothic appeal. Geek Goths are also more likely to be into computer games and anime than other Goths. You are far more likely to find them in Forbidden Planet than in a goth club.

Geek Goths are some of the most intelligent, creative and open-minded Goths you’ll meet. Fittingly, they frequently have diverse and eclectic taste in music, although they may be more attracted to bands who regularly sing about Lord of the Rings, Cthulhu or other subjects with a high Geek interest.

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  • 2 weeks later...
  • 3 weeks later...

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The Romantic Goth

While TradGoths tend to be all about the 80s music scene, Romantic Goths (or "RomantiGoths") focus on the dark, sensual and mysterious world of Gothic created by Victorian literature and subsequent movies. In other words they’re probably more “Gothic” than “Goth,” if that makes sense. Identifying features are velvet and lace, flowy clothes (often Victorian or Medieval inspired), and a love of poetry and literature.

It is therefore unsuprising that Romantic Goths are typically emotional, creative and dreamy types. Dead roses, crumbling graveyards and old skulls are things of exquisite beauty to these creatures. Preferred bands tend to be those that focus on “brooding” rather than “horror,” and so may include downtempo ethereal bands (eg. Love Spirals Downwards), and folk-ish bands (All About Eve, Faith and the Muse). The Sisters of Mercy and The Cure tend to go down well too. And of course a bit of atmospheric Classical music, especially Bach or Wagner.

Most likely this.

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As of right now at the moment:

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Cyber Goths are truly the antithesis of all that is Goth. They like bright neon colours, worship futurism and technology, and listen to dance music that is as different from Gothic Rock as possible.

So why are they called Goths at all? It could be because the music scene gradually evolved from Industrial, Goth’s experimental electronic cousin. It could be that the lyrics of their preferred music genre (Electronic Body Music, or EBM, eg. VNV Nation) are generally too deep and too depressing for other dance fans. It could be because they have weird hair.

Identifying Cyber Goths is easy: they’ll be the most conspicuous ones in the club with their insane pony falls, goggles, futuristic rave-inspired clothing, towering New Rock platforms, and miscellaneous glowing bits and pieces.

Despite being some of the most lively members of the scene, all other Goths seem to loath this type. Especially the Industrial fans. However, it cannot be denied that the cyber scene is huge now, and is getting ever more popular.

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Rivet Heads, or Industrial Goths, often do not consider themselves “Goths,” although their preferred music and fashion can be found in the same shops and they’ll happily go to Goth clubs. The scene all started with the band Throbbing Gristle forming their own label, Industrial Records, for a new genre of extremely weird experimental electronic music. For some Rivet Heads, this is the only “real” Industrial music - bands like SPK and The Leather Nun which spawned from this scene of the early 80s.

However, in the modern era the Industrial scene has come to resemble a dark, rough, dystopian version of the Cyber scene. The modern Rivethead may listen to Darkwave bands resembling a heavier form of EBM (Wumpscut, Skinny Puppy), or even the commercial “Industrial Metal” bands (Nine Inch Nails, Ministry, KMFDM).

Industrial fashion is somewhat like Cyber in its futuristic appearance but is generally more monochrome, less polished and often has a military influence. It is also undeniable that Sc-Fi movies such as The Matrix have inspired the look of many Rivet Heads - a lot of them will refuse to remove their trenchcoats even in the sweatiest clubs.

And what I hope to fuse in when I start to get an extra cash flow:

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Japanese “Goth” should probably not be called “Goth” at all. Although the fashions sported by the alternative crowd in Harajuku (Tokyo’s equivalent of Camden) were largely inspired by the Western Goth movement, J-Goths tend to enter this subculture via different roots: either anime “cosplay” (dressing up as your favourite anime character) or through Japan’s own alternative music scene: Visual Kei, often thought to be started by the Japanese rock band X-Japan.

Visual Kei bands vary hugely in sound. They can either take the form of heavy metal (eg. Dir~en~Grey) or something more like cheesy Euro-pop (L’Arc~en~Ciel, Malice Mizer). What’s important, however, is the band’s look, which takes Goth, Punk and Glam elements and blends it all into a unique, androgynous combination. Very often, these mostly all-male bands will attempt to look as feminine as possible (to the point of dressing in drag).

This style has recently come full circle, with Westerners now borrowing fashion elements from the Japanese. The most popular and distinctive of these is undoubtedly the “Gothic Lolita” look (a kind of cross between Goth, Victorian fashions, Alice in Wonderland and French maid), which has now become a part of the Western Gothic spectrum.

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  • 3 weeks later...

I guess I would fit in as....

The Original Goth. Whether they were actually around in the 80s or not, the Trad Goth most values the traditional scene from its earliest days, when it began to evolve from Punk.

Trad Goths venerate those original Goth bands - Bauhaus, Siouxsie and the Banshees, The Birthday Party, The Sisters of Mercy and anything played in the infamous Batcave club. Other influential bands (e.g. The Velvet Underground) may also be revered as minor deities.

Fashion is, naturally, based on the look from the period, which itself was heavily influenced by Punk - fishnets, leather jackets, piercings - in addition to heavy make-up, HUGE hair and the occassional bit of bondage gear. And, of course, lots of black. When not listening to their extensive record collection, TradGoths may be found enjoying a snakebite & black and a clove cigarette at the local “goth” pub or club.

Sadly, TradGoths often believe that Goth is, appropriately, dead, and the modern scene offers little consolation. New “goth” music genres such as EBM are perhaps their biggest pet peeve.

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